Nancy & Steve Hauk Gallery butterfly

Christine Crozier, Library Curator

Come celebrate craftsmanship at the Library. The new exhibit features a sampling of 42 pieces from the Monterey Peninsula Quilters Guild's annual members Quilt Challenge. The show will run through October 1, 2022.

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The purposes of the MPQG are to preserve the heritage of the beauty, diligence and love embodied in those quilts that have been handed down to us; to acknowledge and encourage a concern for the excellence of design and craftsmanship as we perpetuate this American Folk Art; to become a source of information, education, and inspiration; to further the personal rewards of companionship among quilters. 


Each February, MPQG announces the theme and guidelines of our annual member’s Quilt Challenge.  An eagerly anticipated creative spark, rules are few and the format small to encourage quilters of all levels and style preferences to take part.  “Home Is Where the Heart Is", MPQG’s uniquely appropriate 2021 Challenge, required a heart somewhere on the front of an 18-inch square quilt.  A sampling of work created for this challenge will be hanging in the gallery. 

Also showing are two additional quilt challenges from small MPQG friendship groups. The No Strings Attached group challenged their members with “Counting Sheep” which required a bit of a particular sheep print fabric on a 20-inch square quilt. Another group, Friends of Fred, (named for a beloved Basset hound), created “A River Runs Through It”, a series of eight vertical quilts that cleverly share an aqua river. 

For each challenge, participants began with just a few guidelines and created uniquely personal statements.  Look for traditional, modern, improvisational and art compositions; machine and hand quilting; appliqué, embroidery and beading. And, of course, look for the heart or the sheep or the river that runs through it! Here is a sneak peek!

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“Remember, Rise, Revitalize”
Celebrating The Writers, Artists, and the Arts of the Harlem Renaissance will Run October 4, 2022–January 6, 2023 with Opening Reception Friday, October 7, 2022 5:30pm-7:00pm.

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The Harlem Renaissance was a turning point in Black cultural history. African American artists gained more control of their own narrative that provided them a place in Western high culture. It had an enormous impact on Black consciousness worldwide and helped usher in the civil rights movement.

During the Harlem Renaissance libraries were instrumental as places of democracy and social justice and art gives voice to inner life, expressing feelings people don’t always want to shout into megaphones. Celebrate with us our ability to rise above adversity, racism, pandemics and our own limitations to soar on wings of poetry, jazz, and art.

Original two and three-dimensional work in all media including but not limited to: painting, mixed media, printmaking, drawing, photography, fiber, and paper art, woodworking, and sculpture. Please, no ink jet reproductions on canvas.

September 3, 2022 Deadline to enter images
For prospectus, and to enter your images, go to:


Pacific Grove is unique in many ways, not the least in having a small Victorian home used to house a Poet-In-Residence. In 2000, The Poet’s Perch was bequeathed to the city by writer Whitney Latham Lechich. According to the terms of the bequest, the house and funds derived from its lease are to be used for “poetic purposes”.

“Poetic purposes” was certainly realized when Dr. Barbara Mossberg moved into the cottage from 2010 to 2014. Our Poet in Residence took the position and the town by storm. While in residence, the distinguished Emily Dickinson scholar, award winning educator, author, radio host and of course poet, hosted many poetry events and writing workshops. She celebrated Emily Dickinson’s birthday at the library each December with a one woman show.

In 2014, Cathleen Gable and Mossberg founded a local chapter of the Emily Dickinson International Society with the library as sponsor. Christine Crozier raised the idea of having a juried art exhibit to pair with Dr. Mossberg’s annual Dickinson presentation.

Library Director, Steven Silveria, offered the use of the entire library for the show. He then remembered a wall was being reopened to create a community meeting room which could be used as a gallery for the month-long exhibition if done in time.

While waiting for submissions to “The Language of Flowers”, Gable and Mossberg planned weekly events to coordinate with the art exhibition. The almost finished room was painted the day before the artwork was hung. The exhibit and speakers’ series were an unqualified success. As part of the presentations, Dr. Mossberg performed a “world-premiere” reading from her yet to be published new book Here for the Present. The artwork was exquisite, and the poetry events and presentations were well-attended and enthusiastically received.

 The Sea Scribes calligraphers, photographer Shelley Nemeth, and writer Steve Hauk, also co-owner of a fine arts gallery with wife Nancy, quickly proposed subsequent shows to be held in the newly opened “gallery” space. Following the showing of Nancy Hauk’s watercolors in 2015, friends of the couple offered to help fund the completion of the room as an actual gallery, along with the Friends of the Pacific Grove Library. They requested the library name the room after the Hauks.

With the success of “The Language of Flowers” and the subsequent interest in a library gallery, Silveria suggested an annual three month juried art show and speakers’ series. The next exhibition was titled “The Edge of the Sea, a Celebration of Rachel Carson” featuring Carson’s writings. Gable designed the series which showcased the Pacific Grove coastline in collaboration with the Monterey Bay Aquarium, Hopkins Marine Station, Asilomar, and the Pacific Grove Museum of Natural History.

“The Edge of the Sea” was followed by “This Land is Our Land, Celebrating the 100th Anniversary of the National Parks” with John Muir as the featured author, again collaborating with the Natural History Museum, Asilomar and local State and National Park agencies. This collaboration served to revive Pacific Grove’s Chautauqua history of open learning about natural history, art, and culture.

As the exhibits and speakers’ series became increasingly popular, it quickly became a priority to retain someone to plan new exhibits, manage the gallery, as well as curate and showcase the library’s neglected permanent collection of art (much of it by well-known local early California painters). Fine artist, Christine Crozier, who had curated the first gallery show, became the new Library Curator. She has curated several shows in the gallery spotlighting selected works from the permanent collection.

In 2019, before closing for a yearlong remodel, the library hosted the juried show “Built for Books” to celebrate and raise funds for the project. The library remodel/renewal was conceived and spearheaded by Steven Silveria. When the library finally reopened in 2021, the Fall/Winter juried show, aptly titled “Renewal”, featured the work of 23 artists within the backdrop of the beautifully renovated building.

Coming full circle last year, Dr. Mossberg published Here for the Present: A Grammar of Happiness in the Present Imperfect, Live from the Poet’s Perch. Honoring the Whitney Latham Lechich bequest and its “poetic purposes”. The book is based on her experience as a California Laureate, Poet in Residence of Pacific Grove.

The library with its one-of-a-kind art gallery continues to be an exciting cultural center for Pacific Grove, promoting and showcasing visual arts, literature, and poetry thanks to Whitney Latham Lechich’s unique gift and vision.

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